100 Greatest Films of Australian Cinema - seen
Submitted by burneyfan on Tue, 05/19/2009 - 09:58
Tags:
- The Adventures of Barry McKenzie (Bruce Beresford, 1972)
- The Adventures of Priscilla, Queen of the Desert (Stephan Elliott, 1994)
- Alvin Purple (Tim Burstall, 1973)
- Angel Baby (Michael Rymer, 1995)
- Annie's Coming Out (Gil Brealey, 1984)
- Australian Rules (Paul Goldman, 2002)
- Babe (Chris Noonan, 1995)
- The Back of Beyond (John Heyer, 1954)
- Backroads (Phillip Noyce, 1977)
- Bad Boy Bubby (Rolf de Heer, 1994)
- Beneath Clouds (Ivan Sen, 2001)
- The Big Steal (Nadia Tass, 1990)
- Black Robe (Bruce Beresford, 1991)
- Bliss (Ray Lawrence, 1985)
- The Boys (Rowan Woods, 1998)
- Breaker Morant (Bruce Beresford, 1980)
- Caddie (Donald Crombie, 1976)
- Careful He Might Hear You (Carl Schultz, 1983)
- The Cars That Ate Paris (Peter Weir, 1974)
- The Castle (Rob Sitch, 1997)
- The Chant of Jimmie Blacksmith (Fred Schepisi, 1978)
- Chopper (Andrew Dominik, 2000)
- The Club (Bruce Beresford, 1980)
- Crocodile Dundee (Peter Faiman, 1986)
- Cunnamulla (Dennis O'Rourke, 2000)
- Dead Calm (Phillip Noyce, 1989)
- Dead Heart (Nick Parsons, 1996)
- Death in Brunswick (John Ruane, 1991)
- The Devil's Playground (Fred Schepisi, 1976)
- Dogs in Space (Richard Lowenstein, 1987)
- Don's Party (Bruce Beresford, 1976)
- Erskineville Kings (Alan White, 1999)
- Eureka Stockade (Harry Watt, 1949)
- Evil Angels [aka A Cry in the Dark, much better title] (Fred Schepisi, 1988)
- The F.J. Holden (Michael Thornhill, 1977)
- For the Term of His Natural Life (Norman Dawn, 1927)
- Forty Thousand Horsemen (Charles Chauvel, 1941)
- Gallipoli (Peter Weir, 1981)
- The Getting of Wisdom (Bruce Beresford, 1978)
- Goodbye Paradise (Carl Schultz, 1982)
- Head On (Ana Kokkinos, 1998)
- The Interview (Craig Monahan, 1998)
- Japanese Story (Sue Brooks, 2003)
- Jedda (Charles Chauvel, 1955)
- Lantana (Ray Lawrence, 2001)
- The Last Wave (Peter Weir, 1977)
- Letters to Ali (Clara Law, 2004)
- The Lighthorsemen (Simon Wincer, 1987)
- Little Fish (Rowan Woods, 2005)
- Long Weekend (Colin Eggleston, 1978)
- Looking for Alibrandi (Kate Woods, 2000)
- Love Serenade (Shirley Barrett, 1996)
- Mad Max (George Miller, 1979)
- Mad Max 2 (George Miller, 1981)
- Malcolm (Nadia Tass, 1986)
- The Man from Hong Kong (Brian Trenchard-Smith, 1975)
- The Man from Snowy River (George Miller [not the Mad Max one], 1982)
- Man of Flowers (Paul Cox, 1983)
- Monkey Grip (Ken Cameron, 1982)
- Muriel's Wedding (P.J. Hogan, 1994)
- My Brilliant Career (Gillian Armstrong, 1979)
- Newsfront (Phillip Noyce, 1978)
- The Odd Angry Shot (Tom Jeffrey, 1979)
- On Our Selection (Ken G. Hall, 1932)
- The Overlanders (Harry Watt, 1946)
- Patrick (Richard Franklin, 1978)
- Phar Lap (Simon Wincer, 1983)
- The Piano (Jane Campion, 1993)
- Picnic at Hanging Rock (Peter Weir, 1975)
- Praise (John Curran, 1998)
- Proof (Jocelyn Moorhouse, 1991)
- Puberty Blues (Bruce Beresford, 1981)
- Pure Shit (Bert Deling, 1975)
- Rabbit Proof Fence (Phillip Noyce, 2002)
- Radiance (Rachel Perkins, 1998)
- Return Home (Ray Argall, 1990)
- Road Games (Richard Franklin, 1981)
- Romper Stomper (Geoffrey Wright, 1992)
- The Sentimental Bloke (Raymond Longford, 1919)
- Shine (Scott Hicks, 1996)
- The Shiralee (Leslie Norman, 1957)
- Somersault (Cate Shortland, 2004)
- Spotswood (Mark Joffe, 1992)
- Stone (Sandy Harbutt, 1974)
- Storm Boy (Henri Safran, 1976)
- The Story of the Kelly Gang (Charles Tait, 1906)
- Strictly Ballroom (Baz Luhrmann, 1992)
- Sunday Too Far Away (Ken Hannam, 1975)
- The Sundowners (Fred Zinnemann, 1960)
- Sweetie (Jane Campion, 1989)
- They're a Weird Mob (Michael Powell, 1969)
- The Tracker (Rolf de Heer, 2002)
- Travelling North (Carl Schultz, 1987)
- Two Hands (Gregor Jordan, 1999)
- Wake in Fright (Ted Kotcheff, 1971)
- Walkabout (Nicolas Roeg, 1971)
- We of the Never Never (Igor Auzins, 1982)
- Wolf Creek (Greg McLean, 2005)
- The Year My Voice Broke (John Duigan, 1987)
- The Year of Living Dangerously (Peter Weir, 1982)
Cloned From:
From a book of the same name edited by Scott Hocking, published by Scribal Publishing in 2006.
I have a lot left to see...